Meet the soloist: Charlotte Saluste-Bridoux

We discover more about award-winning violinist Charlotte Saluste-Bridoux who takes centre stage at the next Firebird concert…

1. Tell us a little more about your background as a musician…

I grew up with music all around me and quickly asked for my own instrument; I’ve had a violin in my hands ever since. My training was classical for the most part, but my violin playing always included improvising/playing around with folk tunes. Together with my love for gut strings, this has remained at the heart of my identity.

2. Tell us about one of your favourite moments on stage?

When preparing for a Wigmore Hall concert with Joseph Havlat, we played a run of concerts prior to the big day. Jo had arranged Szymanowski songs for violin and piano, and in our very first outing something almost magical happened. Everything felt gracefully understated. I remember feeling quite humbled to have managed to create the colours and atmospheres Jo had envisioned when arranging the songs. Moments like these are the true silver lining to our sometimes obsessive search for the intangible, these are the little things that make it all worthwhile. 

3. Are you more at home as a soloist, chamber musician or orchestral musical?

Each of these settings is incredibly valuable to me. When it comes to solo repertoire, I find the solitary work to be quite meditative, which invariably culminates in an exhilarating sense freedom on stage. As for working with orchestras, experiencing the solo playing repertoire is very powerful. However I think what I enjoy most is working in a chamber orchestra setting, which allows for more malleability and a different approach to time. 

4. Tell us something about your future musical ambitions…

I’m really looking forward to a very exciting recording project in spring 2025 where I will record all five Mozart concertos as well as the Sinfonia Concertante with Mathieu Herzog and the Appassionato orchestra. The most exciting part of all is that we have commissioned cadenzas from Oliver Leith, Héloïse Werner, Joseph Havlat, Isabella Gellis and William Marsey for each concerto which will be premiered in the live recording!  

5. What insight do you plan to bring to your forthcoming performance of Beethoven’s Violin Concerto?

I’ve been practising the Beethoven on both my gut string and modern set up violins, experimenting with tempo, fingerings, articulation – it’s been a lot of fun. I wouldn’t exactly call it insight but let’s see what comes out!

Beethoven with Charlotte Saluste-Bridoux

Tuesday 24 September 2024
St George’s Hanover Square
2A Mill Street, Mayfair, London W1S 1FX

Beethoven Violin Concerto in D, Op. 61
Mozart Symphony No.41, K.551 (Jupiter)

London Firebird Orchestra
Guest Conductor George Jackson
Violin Charlotte Saluste-Bridoux

Charlotte Saluste-Bridoux

Beethoven with Charlotte Saluste-Bridoux

Firebird’s 2024/25 season kicks off with a fantastic concert of two great classical masterpieces with the multi-award-winning violinist Charlotte Saluste-Bridoux…

Beethoven’s mighty Violin Concerto was heralded by the famous 19th century violinist and conductor Joseph Joachim as the German composer’s greatest violin concerto and has since become one of the best-known and regularly performed works of the genre.

French violinist Charlotte Saluste-Bridoux is a YCAT and Concert Artists Guild Artist. In 2022 she was nominated as a Rising Star Artist by Classic FM. She led the Quatuor Confluence to 1st prize at the Trondheim Chamber Music Festival in 2021. Charlotte, who joins us fresh from concertos with the CBSO and Bournemouth Symphony Orchestra, will shortly be going on a USA tour.

The second half of the concert features Mozart’s fabulously feisty finale – his final symphony, the Jupiter. But why Jupiter?

Regarded as one of the great symphonies of all time, the name is said to have been coined not by Mozart but by the impressario Salomonafter the English music publisher Cramer claimed that from the opening chords the symphony reminded him of the Roman god, Jupiter – the King of the Gods and his thunderbolts.

George Jackson (pictured below) conducts this opening concert, the first in a fabulous season throughout 2024 and into 2025.

Beethoven with Charlotte Saluste-Bridoux

George Jackson

Tuesday 24 September 2024
St George’s Hanover Square
2A Mill Street, Mayfair, London W1S 1FX

Beethoven Violin Concerto in D, Op. 61
Mozart Symphony No.41, K.551 Jupiter

London Firebird Orchestra
Guest Conductor George Jackson
Violin Charlotte Saluste-Bridoux

Forests & Fantasy

Sensational violinist and composer Yury Revich Olario is back on 11 June with another unmissable Firebird spectacular…

Yury brings us two beautiful works of his own alongside some wonderful music featuring his dazzling virtuosic talents as soloist with the Orchestra.

In the short video below Yury talks about the upcoming concert and its fantastic programme which includes a Fantasy from Gershwin’s Porgy and Bess, the famous Méditationby Massanet, Bizet’s every popular Carmen Fantasy – and music by himself too.

The second half of the programme features the magnificent Second Symphony by Jean Sibelius. Composed at the beginning of the 20th century, he said of this work that ‘My second symphony is a confession of the soul.’

Critics were divided following the symphony’s premiere, but the public loved it.

It was dubbed the ‘Symphony of Independence’ as it was written at a time of Russian sanctions on the Finnish language and culture. 

The concert will be conducted by our very own Michael Thrift. 

Tickets are now on sale for this memorable evening of great music.

Forests & Fantasy

Michael Thrift
Michael Thrift

Tuesday 11 June 2024 7.30pm
St George’s Hanover Square, Mayfair, London W1S 1FX

Yury Revich Olario 
Prelude
Gershwin/Frolov 
Fantasy on themes from Porgy and Bess
Revich Olario 
Choriner Wald (the Forest of Chorin)
Massenet 
Méditation from Thais
Bizet/Sarasate 
Carmen Fantasy
Sibelius 
Symphony No. 2

Conductor Michael Thrift
ViolinYury Revich Olario

Meet the Soloist: Martin James Bartlett

Pianist Martin James Bartlett gives a personal insight into Mozart’s D minor concerto ahead of Firebird’s next concert on 30 April…

The first performance of this concerto took place at the Mehlgrube Casino in Vienna on 11 February 1785, with the composer as the soloist. A few days later, the composer’s father Leopold wrote to Mozart’s sister Nannerl about his recent success:

‘[I heard] an excellent new piano concerto by Wolfgang, on which the copyist was still at work when we got here, and your brother didn’t even have time to play through the rondo because he had to oversee the copying operation.’

The young Beethoven so admired this concerto that it became part of his repertoire. He even wrote a monumental cadenza for the final movement which Martin James Bartlett will include in his performance.

Martin James Bartlett

‘Martin James Bartlett brought maximum feeling to the music and played with astonishing delicacy and punch.’

The Daily Telegraph

According to Leopold’s report, Mozart used his own piano at the first performance which was specially equipped with a pedal-board for his feet! Presumably this was to reinforce the left-hand part.

Bohemia!

George Jackson


Tuesday 30 April 2024, 7.30pm
St George’s Hanover Square
2A Mill Street, Mayfair, London W1S 1FX

Beethoven 
Leonore Overture No.3, Op.72
Mozart 
Piano Concerto No.20 in D minor, K.466
Dvořák 
Symphony No.8 in G, Op. 88

Conductor George Jackson
Piano Martin James Bartlett

Mozart’s finest played by the best

Firebird’s next concert ‘Bohemia’ showcases a real rising star – pianist Martin James Bartlett – who will perform music at the heart of the programme on 30 April…

Martin James Bartlettpossesses a fearless technique and plays with a maturity and elegance far beyond his years. His second album, Rhapsody received 5* star reviews and was Gramophone Editor’s Choice.

Martin James Bartlett

‘Everything works to illuminate the music.’

The Times, 5 Stars, June 2019

Film and TV buffs might recognise some of the music in this concerto as the first movement was used in Series 1 of the television series Mr. Robot.

The movement also features in the 1984 film Amadeuswhen Mozart is stumbling home after an evening with Emanual Schikaneder composing the score of his opera The Magic Flute. The Second movement also appears in the final scene and during the end credits.

‘Martin James Bartlett brought maximum feeling to the music and played with astonishing delicacy and punch.’

The Daily Telegraph

Either side of the Mozart is a fantastic overture by Beethoven and one of the most-loved orchestral symphonies by Dvorak. 

George Jackson

Be sure to get your tickets online for this terrific concert at the end of this month.

Bohemia!
Tuesday 30 April 2024, 7.30pm
St George’s Hanover Square
2A Mill Street, Mayfair, London W1S 1FX

Beethoven 
Leonore Overture No.3, Op.72
Mozart 
Piano Concerto No.20 in D minor, K.466
Dvořák 
Symphony No.8 in G, Op. 88

Conductor George Jackson
Piano Martin James Bartlett

Bohemia!

Bohemian Rhapsody!

No – not Freddy Mercury’s 1970s progressive rock hit – this is Firebird’s next concert with a curious link to the exotic land of Bohemia…

Our 30 April concert takes us to the very heart of Central Europe with one of the greatest works by the Czech composer Dvořák (pictured below). Dvořák’s musical style is inextricably linked with the traditional folk music of Moravia and Bohemia. 

His cheery and lyrical 8th Symphony is a perfect example of this musical influence from his homeland, composed on the occasion of his election to the Bohemian Academy of Science, Literature and Arts in 1890.

The concert opens with Beethoven’s heroic Leonora Overture. Beethoven (pictured below) actually wrote four overtures for his only opera Fidelio, struggling to balance the intense drama with the calmer opening scenes in the opera.

Beethoven
Beethoven

It wasn’t until the 1841 revival of the opera that he composed this somewhat lighter version – with the first performance outside Vienna talking place that year in Prague – which is of course in Bohemia!

In between these two masterworks we have one of the most admired works for piano and orchestra in the repertoire with Mozart’s Piano Concerto No.20. This work was so admired by Beethoven that he frequently performed it himself. In our concert it will be performed by our soloist, Martin James Bartlett (pictured below).

‘Martin James Bartlett brought maximum feeling to the music and played with astonishing delicacy and punch.’

The Daily Telegraph

The concert will be conducted by our very own George Jackson (pictured below). Tickets are now on sale for this fantastic evening of great music.

Bohemia

George Jackson

Tuesday 30 April 2024, 7.30pm
St George’s Hanover Square
2A Mill Street, Mayfair, London W1S 1FX

Beethoven 
Leonore Overture No.3, Op.72
Mozart 
Piano Concerto No.20 in D minor, K.466
Dvořák 
Symphony No.8 in G, Op. 88

Conductor George Jackson
Piano Martin James Bartlett

Five things you didn’t know about the solo clarinettist in our next concert…

‘…from the very first note, there is a great artist on stage.’ says the press… so don’t miss Jonathan Leibovitz’s Firebird debut on 27 February.

1. As part of the celebrations of Classic FM’s 30th birthday in 2022, Jonathan was one of 30 outstanding young musicians from across the globe nominated as aRising Star Artist.

2. Jonathan received 25,000 Swiss francs in prize money as the 2022 winner of the prestigious Arther Waser Prizetogether with concert engagements with the Lucerne Symphony Orchestra.

3. Jonathan has performed as a concerto soloist across Europe with some of the world’s greatest orchestras.

Jonathan Leibovitz

‘Leibovitz is a passionate communicator, mastering these showy, virtuosic variations with ease and fluency.’

Classic Melbourne – Bendigo Chamber Music Festival

4. Jonathan is an avid chamber musician having recorded and given concerts at festival across Europe, in Australia at the Bendigo Chamber Music Festival, and in South America as part of a concert tour of Colombia.

5. Jonathan completed his Masters at the Music Academy in Basel in Switzerland with Brazilian clarinettist François Benda.  

Jonathan Leibovitz

Clarinet Fair

Tuesday 27 February 2024, 7.30pm
St George’s Hanover Square
2A Mill Street, Mayfair, London W1S 1FX

Mendelssohn: Die Schöne Melusine Op.32 (The Fair Melusine)
Mozart: Clarinet Concerto in A, K.622
Beethoven: Symphony No.2 in D, Op.36

Jonathan Leibovitz clarinet
Michael Thrift conductor

Orchestra

All the Fun of the Fair

We have a real treat in store on 27 February when clarinetist Jonathan Leibovitz performs Mozart’s much-loved Clarinet Concerto…

Mozart

Cheery yet graceful, this beautiful work is considered to be Mozart’s swan-song and his last great completed work. It’s also been featured in several films including The King’s Speech and Out of Africa.

Prize-winner at the YCAT (London) and CAG (New York) International Auditions, Jonathan went on to receive the prestigious Arthur Waser Foundation and Lucerne Symphony Orchestra Award.

In 2022 he was nominated as a Rising Star Artist by Classic FM.

‘From the very first note, there is a great artist on stage…’

Luzerner Zeitung

The concert will be conducted by our very own Michael Thrift and the programme will also include two wonderful pieces of orchestral music:

  • An exotic concert overture by Mendelssohn: Die Schöne Melusine (The Fair Melusine) which hints at the legend of the water-nymph Melusine.
  • Beethoven’s Second Symphony, filled with humour and energy, but at times lyrical and dramatic. 

Clarinet Fair

Tuesday 27 February 2024, 7.30pm
St George’s Hanover Square
2A Mill Street, Mayfair, London W1S 1FX

Mendelssohn Die Schöne Melusine Op.32 (The Fair Melusine)
Mozart Clarinet Concerto in A, K.622
Beethoven Symphony no.2 in D, Op.36

Jonathan Leibovitz clarinet
Michael Thrift conductor

Cringlemire Garden

How did a remote garden in the Lake District inspire a wonderful piece of music which you can hear in the next Firebird concert at Kings Place on 28 January?

British composer Ruth Gipps (1921-1999) belonged to that generation of post WW2 English composers following on from the post-romantic tradition of the likes of Vaughan Williams, Bax, Ireland and Holst.

Ruth Gipps

‘She was an all-rounder in the best sense of the term, and her contribution to British musical life over five decades is both immeasurable and enduring.’

Bret Johnson The Guardian

Ruth Gipps produced more than 70 works, including five symphonies. Many of her compositions were inspired by the landscape of the South-East of England. 

But the gorgeous Cringlemire Garden is inspired by the rural landscape in the north-east near Troutbeck, in the Lake District.

Cringlemire was designed by architect Dan Gibson in the 1890s for Henry Martin as an  arboricultural museum. Described as an Impression for string orchestra’, this six minute tone poem premiered in 1952 and describes the feelings of being in this garden surrounded by the dramatic landscape of the Lake District. 

The Firebird Orchestra will be conducted by George Jackson. With pianist Harris Tsz-Chun Leung and soprano Sian Dicker, this concert will also feature music by two of the greatest names from the classical era, Haydn and Mozart.

Garden of Fire

Sunday 28 January 2024, 6.30pm
Kings Place, London

Ruth Gipps Cringlemire Garden: Impression for string orchestra, Op. 39
Mozart Piano Concerto No.9 in E flat, K. 271 ‘Jeunehomme’
Mozart Voi avete un cor fedele, K. 217
Haydn Symphony No. 59 in A, Hob. I:59 ‘Fire’

Garden of Fire

Lake District photograph by James Armes on Unsplash

Season’s Greetings from Firebird

2023 has been a fantastic year for Firebird with some particularly memorable concerts.

Thank you all for your invaluable support this year. We look forward to seeing you at our truly amazing line up coming up in 2024…

And as we’ve been VERY VERY good this year…

…we’d be thrilled if you’d like to give us a little Christmas present…

You can support the orchestra from as little as £100 to help us continue with our important work for young musicians.